I had to be in London, and felt grateful, with my interest in food politics and a lapsed personal art practice, to catch the last day of The Politics of Food at the gallery of the Delfina Foundation near Victoria. Many thanks to Edible Geography for alerting me to this exhibition.

There are many artists who engage with food as a medium and a topic, with the rituals of feasting and fasting, with describing our relationship individually, socially, and culturally to it all.  But I haven’t actually seen much of this work.  I have made pieces that played with issues of domesticity, corporate dominance and food, and I’ve imagined a great theoretical project about nostalgia and ethnicity that I would like to realise someday.  I also have some inchoate but active ideas about climate change and onions that I will try to give time to.  Beyond this, I was just really curious how an art show with the theme “Food Politics” would be conceptualised and curated to represent the diverse approaches of individual artists.

There were amazing pieces here, and they deserve a wider audience. The best review I could find describes the exhibition pretty well, even if in slightly opaque art-crit speak.  I’m compelled to write about the exhibition myself, from the point of view of an artist seeking to understand why some art is both moving and pedagogical (ie, teaches and helps the viewer to think/think through an issue) without being overbearing or ideological or desiring a specific reaction or response.  However, I wouldn’t necessarily be against a piece that sought to campaign– I’m open.

(The quotations in green are from the page that is offered to visitors upon entering the gallery space.) Read the rest of this entry »